论工笔花鸟画的意象色彩

On the Imagery Coloring of Meticulous Flower-andbird Brushwork

意象色彩是中国传统美术在中国哲学思想背景下建立起来的。南齐谢赫提出的“随类赋彩”,工笔花鸟画中所体现的“固有色”、“墨分五色”、“一色之中求变化”等为后世画家积累了丰富的经验。当代画家为寻求全新绘画风格,促使了传统绘画设色观念的更新与发展。色彩在20世纪已被誉为时代的标志。对意象色彩的探究,正是在以世界文化交融为背景,传承古代优秀文化,将艺术的发展引向多元化的格局,并为今后工笔花鸟画意象色彩的创新提供坚实的基础。

Imagery coloring was rooted in the traditional Chinese fine arts with Chinese philosophy. The ideas of ＂coloring according to genre＂ proposed Xie He of the Southern Qi Dynasty, the ＂natural color＂ in meticulous flower-and-bird brushwork, the ＂classification of ink as five colors＂, and ＂variation in a color＂, etc. had imparted rich experience to the painters of later generations. In seeking entirely new genre of painting, the contemporary painters have upgraded and developed the concept of coloring in traditional painting. Coloring was reputed as the mark of the times in the 20th century. The study of imagery coloring, with international cultural blending as its background, will help inherit our excellent traditional culture, lead to a pattern of multicultural arts and pave a way for updating imagery coloring of meticulous flower-and-bird brushwork.