摘要
世纪之交,当中国电影不断趋于商业化的时候,贾樟柯以他独特的纪录电影风格步入影坛。他将镜头执著地对准社会的边缘人,客观地记录他们的生存状况,揭示他们的情感和心灵。贾樟柯为百年华诞的中国电影带来了一丝新风。
At the turn of the century, when Chinese films were constantly inclined to be commercialized, Jia Zhangke stepped into movie circles with his distinctive style of documentary films. He brought the people on the verge of the society into focus of movies, objectively filmed the documentary movies showing their living condition, and disclosed their feelings and heart. Jia Zhangke has .set a new trend toward Chinese movie as celebration of its hundredth hirthday.
出处
《扬州职业大学学报》
2006年第2期1-6,共6页
Journal of Yangzhou Polytechnic College
关键词
贾樟柯电影
灰色的青春
长镜头
知识分子良心
films directed by Jia Zhangke
gloomy youth
long shot
conscience of intellectuals