从《伯兮》到《错误》:一种文学主题的“追忆”与“摆脱”

From Boxi to Mistake:Recollection and Reformation about a Literary Subject

郑愁予的短诗《错误》是一首轻灵隽永的名作。它显示了作者对自《诗经.卫风.伯兮》以来的闺怨主题的“追忆”,这主要体现在三个方面:题材上直接继承了古典闺怨诗的传统;意境上展现了清俊婉丽的古典气息;语词上借鉴了前贤作品中的众多“有意味的形式”。与此同时,作者基于特别的个人体验和时代背景,对传统闺怨诗也有“摆脱”,即等待主体的泛化、闺怨内蕴的深化和摹写身份的回归。

Zheng Chouyu＇s short poem Mistake is a classic work of art, which is mainly manifested in three aspects： it inherits directly the classical poetry of boudoir repining tradition, unfolds thematically the ＂beauty of hidden bitterness＂ in artistic conception and refers to many ＂the vivid - image - and - rich - sense expression＂ from the past poetry works. At the same time, the author reforms the classical poetry of boudoir repining based on his special life experience and the background of the times, namely, generalizing the subject,deepening ＂beauty of hidden bitterness＂ and returning the facsimile status.