《呼兰河传》中的“跳大神”民俗意象——兼论萧红对看/被看模式的继承和发展

The Folk Image of Sorcery in Tales of Hulan River——Commenting on Xiaohong's Contributions to Seeing and Seen Pattern

看/被看的结构模式最早出现在鲁迅的《复仇》中,长期以来,一直为现当代的作家所模仿运用。萧红在她的小说《呼兰河传》中运用东北地方民俗“跳大神”这一意象,创造性的继承和发展了这一模式,使看/被看的结构模式更加丰富且具有独特的地域民俗意味。

Seeing and seen pattern originally adopted in Luxun＇ s novel Revenge for a long time has been imitated by many writers. In her novel Tales of Hulan River, Xiaohong, making use of the folk image of sorcery in Northeast China, borrowed and developed this pattern creatively, and enriched it and also made it full of peculiar regional folk image.