摘要
杜兆植先生创作于2000年的《G大调大提琴协奏曲》,以蒙古族音乐风格为主体,融合西方大小调作曲技法,是内蒙古音乐创作的又一翘楚之作。运用申克理论所做的结构分析与和声的调式化处理,探究其第一乐章的创作技法,不仅可见其创作技法力求完美,而且在人文思想方面更具丰赡的内涵。
The "G Major key Ccello Concerto" was composed by Mr. Du Zhao- zhi in 2000. It has Mongolian music style melting with the composing technique of the western canzonet and is another outstanding work of Mongolian music. It uses shenk theory's structural analysis and the tune mode of chord to analyze the composing technique of the first movement. It not only has Perfect techniques but also has rich thinking.
出处
《内蒙古大学艺术学院学报》
2006年第2期15-21,共7页
Journal of Art College of Inner Mongolia University