艺术本体论——中西绘画本体发展历程比较研究

On the Noumenon of Art-Comparative St udies of the Courses of Chinese and West ern Painting Noumenon

主体、客体、本体是构成艺术作品内涵的三大要素。本体独立性越强,体系越完善,艺术就越成熟。本体独立的步骤首先是远离对客体自然的模仿;其次是远离社会,于自己的心中寻求一个安宁无忧的世外桃源,进而将这种心境寄托于本体之中;复次是远离主体,即超越自我,淡化意境,强化形式,最终达到本体的完全成熟。中国绘画史是本体不断走向成熟的历历,西方绘画是与本体苦即若离,多次舍本逐末,最终走向反本体的历史。

The author, based on the paintings, believes that the subject, object and noumenon are the main elements of the connotation of work of art. The more independent and systemic the noumenon is, the maturer the art gets. The independence of the noumenon first keeps away from imitating objective nature; then away from the society, finding a inner land of peace,away from the turmoil of the world, and placing the frame of mind on the noumenon; then away from the subject, that is transcending selfhood, weakening the artistic conception while strengthening the form, and ultimately reaching the mature of the noumenon. The history of Chinese paintings is the history of the noumenon tending towards mature while the history of western painting s is the one of anti-noumenon, it maintains a lukewarm relationship with the noumenon, attending to trifles and neglecting the essentials time and again.