摘要
巴黎在城市景观的保护与发展方面确立了以传统历史景观为中心,分层次区别对待的原则:对待传统历史景观本身以修复为主的复原层;这三个层次之间的关系与色彩的基本理论有许多相似之处。通过分析与类比,可以概括为:复原——融合——异化。通过大量实践作品表现出时间痕迹,逐渐形成了围绕传统历史景观的一系列具体的、具有可操作性的办法与措施。
The principle of traditional historical sights being in a central position in the city and each gradati on being treated respectively has been established in Paris, the relations between different gradations resemble the principles of color. Large quantities of work s bearing the imprint of time there incarnate common a spiration of man to seek the truth. In order to express fully the real imprint of time, Paris forms gradua(?)g aseries of concrete and maneuverable means and measures during the period of protecting and developing the city landscape.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2006年第3期110-113,共4页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
巴黎
城市景观
复原
融合
异化
时间痕迹
Paris
city landscape
reversion
restore
be in harmony
dissimilation
the imprint of time