论痖弦诗歌的意象建构

On the Imagery in Ya Xian's Poetry

作为台湾现代派十大诗人之一的痖弦,以其一部《深渊》而蜚声诗坛。其诗歌意象纷呈,语词风格迥然,语词建构方式也灵活多样。从语言学的角度上看,痖弦在诗歌意象语词的表达、语词建构等方面呈现出不同于他人的的特点。现代化意象的营造是痖弦诗歌的一个亮点,在诗歌意象的组合上呈现出共时状态、历时状态和心理状态等三种组合方式;语词建构方面经历了从早期的以形容词为重心的描摹性语词优势,到中期的以动词为主的动作性语词优势以及后期的以连词为主的连词性语词优势的三个发展阶段。其诗歌的风格与内在的诗意也随之演进,透过表面的语词意象与形式建构,凸显了其悲苦的诗歌精神与成熟的诗歌艺术,展示了与民族审美心性相通的语言魅力。

Ya Xian, one of the ten famous Taiwan modern poets, who gains his fame with Abyss, has presented a variety of images and styles and highly characterized diction. A linguistic approach is applied in this paper to explore how Ya Xian has developed these characteristics ： the modernist imagery highlights his poetry with its synchronic, diachronic and psychological construction; the diction clusters successively around descriptive adjectives, active verbs and connective conjunctions; his poetic style and the imrinsic poetic spirit evolve with the imagery and diction, carrying evidently a painful sense of sorrow and a mature form of poetic art,which manifest a charming language interlinking with the Chinese aestheties.