新形势下贵州民间美术的保护与发展

The Preservation of Guizhou Folk Fine Arts in the New Time

贵州民间美术虽然同样经历着工业化进程,商品经济的冲击和震荡,传统文化的动摇和涣散所引发的危机,但由于社会变革的迟缓,文化生态的相对稳定,使得许多地区仍然保有适宜民族文化因子生存的空间,贵州民间美术得以偏安一隅,至今仍呈现为保存较好的状态。贵州民间美术独特的文化表述、包括材料、工艺等外部形式,在相当长的时期内保持稳定状态。脱离了特定的生活场景,背离传统,它将导致质的改变,这样的发展是没有意义的。在新形势下,民间美术要生存,要发展,必须融入现代社会,无论何种文化形态的发展必须是在传承基础上的发展,脱离了这一点,就不必谈发展。就贵州民间美术目前的生存状态来说,基本处于平稳延续的阶段,有的工艺品种还有所发展。同时人类可以通过自身行为延缓和推迟文化衰变的进程,创建一个众多优秀文化共生共荣,和谐发展的现代社会。

Though Guizhou folk fine arts have been impacted by commerce and instability and slackness of traditional culture in the industrialization process, it is still in a good condition in many places of Guizhou Province because of the local slow social reformation and the relatively stable culture environment in which the minority culture could survive. The distinguished cultural expression including material and technique of Guizhou folk fine arts has remained stable for a long time. If it develops in the absence of real life situation and tradition, it will change completely, which is meaningless. It is indisputable that in the new time, the folk fine arts needs to be developed with the modern society on the basis of following the tradition, as other cultural forms do. As for the present living condition for Guizhou folk fine arts, it remains stable; some kinds of workmanships are even promoted. Human beings themselves can postpone the disintegration of their living and cultural process and create a harmonious society in which various good cultures may coexist.