柴科夫斯基钢琴作品《六月——船歌》的和声学分析

An Analysis of the Harmonics of Tchaikovsky's Piano Work,June-Barcarolle

柴科夫斯基钢琴作品《六月———船歌》是一幅描绘河上泛舟的风景画。全曲为有引子、尾声的复三部曲式。第一部分以带有三柏子感觉的四拍子律动和特殊的和声,调性处理,表现了作者激进与叹息的矛盾心理和河面的大气与宁静;第二部分是全曲的高潮部分,在速度、力度、织体等方面与第一部分形成对比,显得较为明朗、开阔;第三部分为再现部,在强调统一的同时又增加了对比因素———复调性处理,更有浪漫时期音乐语言的诗意。

Tchaikovsky＇s piano work “June-Barcarolle” is a landscape of a boat sailing in the river. The whole music is of a compound trilogy style with an introduction and epilogue. The first part is a special harmony with a four-beat rhythm feeling as a three one. The tone processing indicates the author＇s radical ambiva- lence and sigh and also the great momentum and quietness on the surface of the river. The second part is the climax of the whole. And in contrast with the first part it is more clear and open in speed, intensity and texture. The third part is reappearance. At the time when unity is stressed, contrast factors are added the compound tone processing suggests poetry of the music language in the Romantic period.