摘要
《幻想曲》是以西南苗族地区民歌为素材而创作的一首古筝独奏曲,作者在充分挖掘苗族民族歌之来的基础上,展开想象,以现代创作手法构思作品,其中人工调式、拍弦、敲击琴板等手法都是苗族民歌音乐行为在作品中的具体体现。这种现代创作思维在古筝奏中的运用,也极大地拓宽了古筝的表现手法。
“Fantasia” is a Guzheng solo created with folk songs as source materials in the Mao district of Southwest China. Based on the sub - excavation of the folk songs of the Miao nationality, the author used his imagination, designed the work with modern creative method. The techniques of manual adjusting, beating the strings and beating the instrument are the concrete expression of the folk music actions in the work. Guzheng＇s techniques of expression are greatly widened.
出处
《贵州大学学报（艺术版）》
2006年第2期45-50,共6页
Journal of Guizhou University Art Edition
关键词
古筝独奏曲
《幻想曲》
创作特征
素材
苗族民歌
Guzheng solo
“Fantasia”
characteristics of creation
material
the Miao folk songs
