摘要
意境是我国古典文论独创的一个概念,也是最能体现中华民族独特的审美情趣的范畴之一。该文着重论述了意境理论在近代的流变状况,认为经过王国维、朱光潜、宗白华的阐释,意境理论逐渐完成了由古典向现代的转型。其现代阐释的精髓集中体现为中国人独有的和宇宙相通的审美情趣,这种对东方自然生命理论的冥悟和体验,可以视为意境理论以一贯之的精神文脉。
Mood is anoriginal aesthetical conception, which embodies the special taste of Chinese people. The paper stresses the theory＇ s status of transformation in modern time and believes that mood theory is processing from classical to modern after being explained by Wang Guo-wei, Zhu Guang-qian and Zong Bai-hua. The essence of modern transformation embodies Chinese people＇ s philosophical view and the special taste, which can be linked up with the universe. The comprehension and experience on oriental nature life kept all the time can be seen as the inner spirit of mood theory.
出处
《石河子大学学报（哲学社会科学版）》
2006年第3期47-51,共5页
Journal of Shihezi University(Philosophy and Social Sciences)
