贾谊赋考论四题

Four Items of Criticism on Jia Yi's Prosodic Prose

贾谊全面关注楚文化发生在贬谪长沙以后,可以系年的辞赋作品有《吊屈原赋》、《鹏鸟赋》、《旱云赋》等。其辞赋不但具有上承屈宋、下启两汉的重要意义,而且为散体大赋的“散”奠定了坚实的基础。从《吊屈原赋》,中经《鹏鸟赋》,再到《旱云赋》,贾谊辞赋创作的大趋势是逐步地从楚辞体中解放出来,在摸索中探索“赋”的内涵。连云港尹湾汉简《神乌赋》出土是汉赋研究史上的一件大事。《鹏鸟赋》是《神乌赋》的上源。

Jia Yi was whole - heartedly concerned with the culture of Chu after his degradation (贬谪) in Changsha (长沙), One can thereby chronicle his following prosodic prose: The fu for Lamenting on Qu Yuan (《吊屈原赋》), The fu of Rocs, The ju of Sec Clouds (旱云赋), etc. .His prosodic prose was of significance of imparting the merits of Qu Yuan's and Song Yu's works to the two Han Dynasties as well as of laying a soh'd foundation for 'son' (“散”), a kind of long prosaic fu.In general, Jia Yi tried to liberate himself from the influence of Qu Yuan's and Song Yu's works and to find the essence of this literary genre of fu.