摘要
在新实践美学范畴体系里,幽默和滑稽属于实践不自由的形象显现的范畴,阳丑则属于反自由形象显现的范畴,它们同属喜剧性维度,喜剧性的本质在于它的滑稽和幽默,所显现的是人在矛盾倒错、荒谬乖讹之中的不自由境况。在喜剧性作品中,喜剧性是通过不自由状态的幽默滑稽与阳丑的三种反自由的形象来相互转化表现的。
In the system and category of new-practice aesthetics, humor and funniosity are concepts of non-freedom while the three forms of positive-clown are concepts of anti-freedom. The nature of comedy is comic, which lies in its humor and funniosity that shows human' s unfreedom in his contradictory and absurd situation. Generally speaking, for humor and funniosity in a comedy that shows human' s unfreedom are domonstrated by the three anti-freedom images.
出处
《青岛科技大学学报(社会科学版)》
2006年第2期27-31,共5页
Journal of Qingdao University of Science and Technology(Social Sciences)
关键词
反自由
不自由
喜剧性
幽默
滑稽
阳丑
anti-freedom
unfreedom
comic
humor
funniosity
positive-clown