摘要
本文以20世纪90年代诗歌的阅读状况为切入点,从阅读的角度关注诗歌在市场环境中的整体形构,从而揭示诗歌备受疏离的深层原因和生态变化。文章包括审美泛化中的诗歌阅读和阅读期待两个方面内容,并引入了“距离”一词,以阐释的方法对和当下诗歌具有同质性的90年代诗歌进行考量,以期给予现实的诗歌创作以反思。
This thesis takes the reading condition of 1990's poetry as the disquisitive object, explains its whole status from the reading's angle in market circumstance, and reveals the reasons of poetry reading's digtance and the change of its zoology. The text has two aspects, including aesthetic overrun and reading's expectation. I introduce "the distance" to review consubstantial 1990s' poetry, and hope that it can inspire the current poetry writing.
出处
《辽宁大学学报(哲学社会科学版)》
北大核心
2006年第4期48-52,共5页
Journal of Liaoning University(Philosophy and Social Sciences Edition)