摘要
邓汉仪认为诗歌应“追国雅而绍诗史”,所以他重视记载时变过程,反映一代兴亡之感,关注民生、民瘼的作品。这既是对传统诗学“诗史”观的继承,又是对国雅本质的回归。邓汉仪还以鲜明的历史意识为诗歌选本张目,借助诗歌总集《诗观》的编纂,以求“成一代之伟观”,使选本具有诗歌发展史的意义,这是对诗史观的发展。作为康熙前期诗坛旗手,其诗史观对矫正清初世俗诗风,使诗歌创作回归现实主义传统,起到了积极的作用。
Deng Hanyi held that poetry should follow Odes and introduce history of poetry. So he put emphasis on poems that recorded time shifts, reflected prosperity and depression, and cared about people's happiness and anguish. By doing so, he not only inherited the traditional "history of poetry", but also echoed Odes' essence. He also introduced history consciousness into poetry anthology, which could reflect the era's situation and have the function of poetry development history. As a flagman, he played an active role in correcting early Qing's poetic ways and bringing poetry creation back to the realism tradition.
出处
《南京师大学报(社会科学版)》
CSSCI
北大核心
2006年第4期133-137,共5页
Journal of Nanjing Normal University(Social Science Edition)