摘要
明人在传统的唐宋诗之争中加入元诗,形成了唐宋元三朝诗合论。三朝争论的焦点是宋元之比较,出现了元诗过宋论、宋诗过元论和宋元无诗论。由此可见明人诗歌取法的逐渐凝定和诗学风尚的日益变迁。
The scholars of the Ming Dynasty put the poems of the Yuan Dynasty into the controversies about the poems of the Tang Dynasty and the poems of the Song Dynasty, forming a triangular dispute. The focus was on a comparison between the poems of the Song Dynasty and the poems of the Yuan Dynasty, and there were three popular conclusions, that is, the poems of the Yuan Dynasty were better, the poems of the Song Dynasty were better and there was no real poetry in the two periods. A discussion about this reveals the gradual establishment of the poetic orientation and changes of the Ming Dynasty.
出处
《云南民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2006年第4期131-135,共5页
Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)
关键词
三朝合论
诗歌取法
诗学风尚
an integrated discussion of the three-dynasty' s poems
poetic orientation
trend of poetics