摘要
“蛮性”是曹禺前期创作的心理驱动力及审度人性的重要标尺。建国后,“蛮性”在意识形态的约束下逐渐退化,随之,作家的创作状态、审美取向、剧中人物的精神气质、作品的艺术风格均发生了根本性的转变。
Savageness is not only the drive of Cao Yu＇s writing before 1949, but also the standard by which Cao Yu evaluates the characters in his plays. After 1949, the restraint of ideology results in the fundamental change of Cao Yu＇s mood of writing, his aesthetic orientation, the spirit of the play characters, and the artistic style of his works.
出处
《集美大学学报（哲学社会科学版）》
2006年第2期103-108,共6页
Journal of Jimei University：Philosophy and Social Sciences
关键词
蛮性
《明朗的天》
《胆剑篇》
《王昭君》
savageness
Sunny Skies
The Sword and the Gall Bladder
Wang Zhaojun
