比较文化诗学视域中的“楚辞”传统

A Study of the Chuci (Classic of Poetry of State Chu) Tradition from the Perspective of the Comparative Cultural Poetry Theory

《诗经》和《楚辞》自古合称“风骚”,实则开创了两大完全不同的文学传统。《诗》着重于现实,是儒家诗教的工具;屈辞则重幻想,是作家主体情志的充分体现。比较而知,《楚辞》形成的文学传统实则超越了《诗经》的大雅、正声传统。无论是在创作方法,还是在文学语言,或者是意象营构等方面对后世文人及其文学创作产生的影响都要超越《诗经》。尤其是在当前传统文化式微、西方各种学术流派占据话语强势的时代,重新认识楚辞在中国文学史和文化史上的地位和价值有着重要的现实意义。

Book of Songs and Chuci（Classic of Poetry of State Chu） have long Collection of National Ballads and Poems on Departing）, but actually they two have ent literary traditions. Book of Songs is more realistic been claimed as Fengsao （A created two completely differand has been the instructing tool of the Confucian school; Chuci（Classic of Poetry of State Chu）, however, is more full of imagination and a good embodiment of the writer＇ s emotions and wills. Comparatively speaking, the literary tradition as have been created by Chuci（ Classic of Poetry of State Chu） has surpassed that of the Book of Songs. Chuci＇s influences, either in creating method, or in literary language or the construction of images, have all outdone that of Book of Songs. In a time when the traditional cultures are falling to the weak and the various western academic schools seem to take dominating positions, it is of great realistic significance to re-study the Chuci＇ s position and value in the history of Chinese literature and culture.