摘要
川端康成的小说具有高超的叙事技巧,其小说故事明显地形成了以女性为中心的空间世界,男性作为行动元对女性角色有着强烈的催化和显现功能;与此同时,人物的心理意绪支配着故事的发展,颠覆着小说情节的有序性,并建立了一个更加真实的意指世界,从而使其小说形成了鲜明的反讽结构。
Kawabata Yasunari's novels are embedded with super narrative technique. His stories are obviously formed in the female-centered world where male as an actor playing a strong catalytic role on female actress and he manifests her. Meanwhile, the character's psychological awareness dominates the story's development and subverts the order of the plot and establishes a more real implied world as well. In this way, it makes the novel form a distinct ironic structure.
出处
《湘南学院学报》
2006年第3期42-45,共4页
Journal of Xiangnan University