摘要
本文对张若虚和《春江花月夜》一诗研究近500年的历程作了比较全面的回顾和评述,认为张诗由晦而显的命运引人探索。且自20世纪30年代闻一多先生提出“宫体诗的自赎”一说以来,研究者们对该诗的思想、风格、价值、地位、范畴归属各作阐述。(清末)王运、闻一多、(80年代以来的)程千帆、周振甫、吴小如等学者均有精辟见解。
This paper retrospect and review the articles which have published about ZhangRuoxu and 《 spring the river spends the moonlit night 》 almost five hundred years, consider the fate of the poem is charming. Many researchers state its ideas , style, value, place and categoryincisively.
出处
《绥化学院学报》
2006年第4期43-46,共4页
Journal of Suihua University
关键词
初唐四杰
宫体诗
“赎罪”说
宇宙意识
“宫体诗的自赎”
the four - outstanding - writer in the beginning of TangDynasty, Poems in Court Style, archetypr of atoning for a crime, cosmic iousness , ＂Self- redeeming of Poems in Court Style＂
