论周作人20世纪40年代的思想构架——以《汉文学的传统》等4篇文章为例

On the Structure of Zhou Zuo-ren's Thoughts in the 1940s——a case study of his four articles

20世纪40年代在沦陷区的北平,出任日伪职务的周作人提出“中国的文艺复兴”。在承认若要结束“国家沦亡”的局面非用武力不可的前提下,周作人开始从文化角度出发考虑政治问题,即排除“国家”在外的民族问题。他认为时空上中国的民族维系之物就是“思想语言文字”,因此在40年代写作的《汉文学的传统》等4篇文章中,试图为中国的文艺复兴确立起“固有思想”和“汉文学”的传统,以此寻求汉民族文化与汉民族的主体性地位。

In 1940s, when Beiping was occupied by Japanese army, serving a puppet post in the government, Zhou Zuo-ren put forward the ＂Renaissance of Chinese Literature and Arts＂. Under the premise of recognition of inevitably using armed forces to end the subjugation of China, he started to consider political problems from the perspective of culture, that is, all the national problems excluding ＂country＂. He thought that in terms of space, Chinese nation＇ s fie is ＂thoughts, language and characters＂. Therefore, in his four articles in 1940s such as ＂Tradition of Chinese Literature＂, he attempted to establish the tradition of ＂intrinsic thoughts＂ and ＂Chinese literature＂ for the renaissance of Chinese literature and arts, in order to seek for the literature Chinese nation and the mainbody position of Chinese nation.