摘要
大江健三郎自从获得诺贝尔文学奖后,在中国的影响日渐扩大。大江本人也曾多次访华,与中国的作家展开过很多的对话。然而,以比较文学的方法论对大江健三郎与中国作家的比较研究却鲜有所见。对大江健三郎与莫言文学进行比较研究之方面有:乡村边缘与城市中心的对峙;性与人性的伸张;从历史题材中折射出的时代意识;魔幻手法下的真实。
Kenzaburou Oe has been increasingly influential in China since winning the Nobel Prize for Literature. During his many visits to China, Oe has held numerous dialogs with Chinese writers. However, comparative studies of Kenzaburou Oe and Chinese writers are still scarce. This article seeks to compare the literary works of Kenzaburou Oe and Mo Yan from four perspectives: 1 ) tension between rural boundary and urban center; 2) outcries of sex and humanity; 3 ) of the times reflected in historical narratives; 4 ) truth underneath the technique of magic.
出处
《四川外语学院学报》
北大核心
2006年第4期15-19,24,共6页
Journal of Sichuan International Studies University
关键词
边缘性
性
历史与现实
魔幻与真实
boundary
sex
history and reality
magic and truth