司马相如“得之于心”说及其巴蜀地域文化心态特点

Analyzing Sima Xiangru's "Creating from the Inner Heart" and Geographical and Cultural Features in Ba-Shu

司马相如非常强调赋的审美创作构思“得之于内,不可得而传”的“自得”性。所谓“得之于内”,从司马相如有关辞赋创作的论述并结合其创作实践来审视,即在他看来,辞赋创作既要深思熟虑,又要自然兴发,乘兴随兴,自得自在;要自得于心,即自己要有心得体会,要有独到的感悟,要自娱自乐,自言自道,即所谓“夫子自道”,自得其乐。同时,“得之于内”说也揭示出了巴蜀文人多任性自由,任情而作的心态特点。

Sima Xiangru strongly enaphasizes on the self-creativeness deriving from the “Creation is the result of thinking internally rather than being taught by others” in the aesthetical designing. Exploring the description of SIMA Xiangru about inditing the poem and his own practice, the so-called creating internally means that the poem should be composed virtually, dynamically and freely. To achieve the goal of creating from the inner heart, one must form his unique understanding and thought for the world just like the essence of self-speech of the teacher, that is to entertain himself by creating from the inner heart. Meanwhile, creating internally also reveals the cultural characteristics of the artists in Ba Shu： creating from their inner feelings freely.