摘要
在近年文史哲等学科的研究中,混乱的晚明时期被越来越清晰地描述成一个历史转型时期。在中国书画史上,晚明时期的部分书画家及其作品同样具有转型性特征并对后世影响深远。本文勾勒了该时期以徐渭等为代表的书画家在中国书画史上的转型性特征,认为当时的社会生活场景是形成这股书画转型之风最重要的原因之一。
The later Ming Dynasty was a confusion period in Chinese history. Recent years, it was regarded as a historical transforming period more and more dearly through the research of disciplines as philosophy, literature etc. From calligraphy and painting history, some artists and their works of this period are not only glorious but also greatly influenced the later generation like Xu-Wei, Chen Hongshou etc. This thesis delineated the basic circumstance of the calligraphy and painting history, and emphasized the causes deriving from the social factor.
出处
《西华大学学报(哲学社会科学版)》
2006年第3期47-50,共4页
Journal of Xihua University(Philosophy & Social Sciences)
基金
四川理工学院课题<晚明书画转型成因研究>阶段性成果之一
关键词
晚明
书画转型
徐渭
陈洪绶
社会生活
late Ming Dynasty
Calligraphy transformation
Xu Wei
Chen Hongshou
social life