贝多芬D大调小提琴协奏曲的创作特征

Characteristics of Beethoven's Violin Concerto in D Major

本文将试图从他的D大调小提琴协奏曲的创作特点,乐曲结构以及表现形式等方面来阐述贝多芬在创作中的交响性思维。作为一位承前启后的音乐家,贝多芬在这首乐曲的创作上承袭了他的前人对奏鸣曲式的贡献,同时又追求最有效的方法来承载他的思想和感情。而在表现形式上又非常注重独奏乐器的音乐性与思想性。乐曲无论在形象的生动丰富方面,规模的宏伟以及构思的严谨集中方面都可以和他的交响乐相媲美。

This paper, from such aspects as characteristics, structure and image, expounds Beethoven＇s thinking in symphony as he composed his Violin Concerto in D Major. As a musician who served as a link between past and future, Beethoven in this musical composition not only adopted the contributions of the older generation to sonata he also pursued to convey his own ideas and feelings. As for the manifestation, Beethoven concentrated much on the musical and ideological content of instrumental solo. It is a rival of his symphony composed in the stage of his ripe creative works in rich and vivid image, magnificent scale and compact conception.