摘要
“花”意象,在“倚声填词之祖”的《花间集》中频频出现,多达300余处。18位花间词人不约而同地大量捕捉“花”意象进入创作,使其成为传递人物情意的媒介,从单纯的自然物象上升到意蕴丰富的艺术意象。这一现象的背后潜藏着深层的根源和意蕴:中国文学传统、当时的社会背景和社会风气的喜尚、中国文人的传统心理以及花间词本身的审美特质。
The image of ＂ flower＂ was frequently applied as many as over 300 times in Hua Jian Ji Collection, the pioneer of Chinese lyrics. Eighteen poets adopted the image of ＂ flower＂ to create as purely natural physical images or rich artistic images, making it the media conveying feelings. With implications of deep cultural sources, this way of creation reflected the social background and the social atmosphere as well as psychology of ancient poets and the esthetic characteristics of Hua Jian Ji Collection.
出处
《南京林业大学学报（人文社会科学版）》
2006年第2期68-71,共4页
Journal of Nanjing Forestry University(Humanities and Social Sciences Edition)
关键词
《花间集》
花
意象
意蕴
根源
Hua Jian Ji Collection
flower
image
implication
source
