摘要
屈原《离骚》中的“行进者”形象和其行进中的“速度感”既是屈原生命观的体现,也是其审美意识的体现。诗人用现实形态和神话形态表现出的“行进”过程,再现了他的心路历程。在行进速度上,有着“两快一慢”的特征。“快“与“慢”的区别,真实体现出主人公思想深处情感的变化,这种节奏上的跌宕变化,极大地增添了全诗的艺术效果和悲剧气氛。
the "walker" in Quyuan's Li Sao and its feeling of speed is the embodiment ot Quyuan's view of life and his aesthetic awareness. The process of "walking" the poet used realistic and legendary ways to reveal redisplayed his thinking experiences. In speed it is characterized with "quickness 2 and slowness 1". The difference between "quickness" and "slowness" showed the change of emotion of protagonist, the dramatic change in rhythm endowed the whole poem with art effect and tragic atmosphere.
出处
《中南民族大学学报(人文社会科学版)》
CSSCI
北大核心
2006年第4期162-165,共4页
Journal of South-Central Minzu University (Humanities and Social Sciences)
关键词
离骚
行进者
速度感
两快一慢
Li Sao
walker
sense of speed
"quiekness 2 and slowness 1"