党和国家话语与农村女性的声音——以白茆山歌为例的观察(1956-1966)

Party-state Discourse and Voice of Rural Women:Thought from Baimao Folksongs,1956-1966

本文以江苏常熟的白茆山歌为例,考察在1958年的新民歌运动中,国家、女性、民间文艺三者之间的复杂关系。国家以民歌这种传统民间文艺形式动员农村妇女参加社会主义劳动,但女性仍然可以通过积极回应、消极对抗和反面形象的言说等三种策略利用民歌来拓展女性空间,彰显女性意识。

This paper uses Baimao folksongs in Changshu, Jiangsu to discuss the intricate relationships of the government, women and folk culture during the 1958 new folksong movement. The government encouraged the participation of rural women in socialist construction through the use of folksongs, a form of traditional culture. Women used folksongs to exercise three strategies, namely, to respond to the government actively, resist passively or to talk about negative images so as to expand women＇s space and promote women＇s awareness.