“乱曰”的乐舞功能与诗文艺术特征

The Function of Music and Dancing of “Luan Yue” and Its Artistic Features of Poetic Prose

“乱曰”是古代文献中常见的语言形式,在《诗经》时代是声乐与舞容相配合的诗性表达,主要起调节诗乐以及结构照应、调整场景或主体转换等作用,原无固定位置,至《楚辞》均放在结尾。到了汉代,乐府承《诗经》传统,而骚体辞赋沿《楚辞》章法,都放在末尾,逐渐演化为固定的结构,成为文章语言结构的重要艺术形式。

“Luan Yue” is a common form of language in ancient documents. At the time of The Book of Songs, it is the poetic expression of matching vocal music with dancing, regulating the poetic rhythm and its structural counterpoint, scenes or transformation of subjects, etc. It is originally placed freely but in Chu Ci it is placed at the end. By the time of Han dynasty, Yue Fu follows the style of The Book of Songs, and the Sao style Chu Ci, all place it at the end, and gradually it develops into a fixed structure, and becomes an important art form of literature.