嵇康《声无哀乐论》音乐美学思想的历史与现实意义初探

An Initial Discussion of the Historical and Realistic Significance of Musical Aesthetics in Ji Kang＇s ＂On Music without Elegy＂

魏晋至隋唐的音乐美学思想具有显著的特色，开始探索音乐的特殊性、音乐的内部规律。其突出代表是嵇康的《声无哀乐论》。它是中国音乐美学史中地位重要，具有里程碑意义的音乐美学专著之一。对《声无哀乐论》的研究为我们揭示出它的深邃的历史与现实意义。

The musical aesthetics from Wei -Jin to Sui -Tang Dynasties had its own remarkable features, Which started to explore the specific characteristics of music and its internal regular patterns. The outstanding masterpiece is Ji Kang＇s ＂On Music without Elegy＂. It is one of the most important and milestone- like monographes in musical aesthetics. The study of it reveals to us its profound historical and realistic significance.