摘要
“懂”是中国现代文学欣赏的基本方式。中国现代文学史上对于文学的“反懂”或“非懂”问题的讨论由李金发诗歌引发,进一步延及到小说,因而废名小说的“晦涩”成为讨论的焦点。1937年,《独立评论》关于“看不懂”的一组通信,主要是从理论上讨论“懂”与“反懂”或“非懂”的问题。而朱光潜、朱自清、沈从文等人关于“看不懂”的讨论对“懂”及其深层的理性主义文学观念构成了冲击,但并未从根本上怀疑和否定理性主义。中国现代文学批评发现了文学活动中广泛存在的“反懂”和“非懂”现象,并对其类型、原因等进行了各种角度的探讨与研究,但缺乏更深层的文学理念的追问。
The discuss of ＂anti-understanding＂ in modern literature began in the field of poetry. Afterwards it spreaded to the field of novel and the whole ＂new literature＂. The discuss changed the sense of understanding and its deep rationalism idea. , but it didn＇t deny rationalism at all. Modern Chinese literature criticizing discovered the extensive phenomenon of ＂anti-understanding＂, but which was lack of deep pursue of literature idea.
出处
《学术月刊》
CSSCI
北大核心
2006年第7期95-104,共10页
Academic Monthly
关键词
中国现代文学“懂”“反懂”
modern Chinese literature, understanding, ＂anti-understanding＂, literature appreciating
