论池田大作的妻子幸福观——兼与托尔斯泰作比较

On Wife's Happiness of Daisaku Ikeda——Compared with Tolstol

池田大作与托尔斯泰生活的年代都面临着家庭解体的危机。他们用自己的方式探寻着家庭秩序的重构之路,试图通过对妻子幸福内涵的界定来重建幸福完满的家庭。他们为女性建构了一个富有诗意的存在,也为女性摆脱家庭、事业两难境地设计了一条理想之路。他们所界定的妻子幸福的内涵是二人宗教情怀的折射,但由于立足点不同,二者的价值取向存在着差异。前者推崇的是“男女同尊”的佛教女性观,而后者是男权文化对女性形象的模塑。

The age,when Daisaku Ikeda and Tolstol lived,riced the family disintegration crisis.They use their own way to inquire about the new family order by reconstructing the connotation of wife＇s happiness.They construct for the female a rich poetic sentiment existence.And they also design a ideal road for the female to get rid of the dilemma between family and profession.The connotation of wife＇s happiness which they reconstruct manifests their religious devotion.But because their standpoints are different,their value orientation are different.Daisaku Ikeda＇s consciousness of feminism is mainly shown as views of Buddhism on women,that is,to advocate equality of men and women.Tolstol describes images by male culture.