心灵的亲证:中国艺术人类学探寻历程

Witness of Heart——A Pilgrimage of China’s Anthropology of Art

当代人类学美学是“文化学转向”在美学领域的一个直接成果,郑元者等学者的人类学美学和艺术人类学研究是其中的突出代表。该研究以跨学科、跨文化研究为基本的学术导向,立足于艺术起源学和民间文艺学课题及其基本结论,展开了全面系统的人类学美学研究,并形成了图腾艺术与艺术起源学研究、民间文艺学研究、艺术人类学研究、美学的人类学重构和实验性写作研究等系列研究链,从而建构起一条独具特色的人类学美学研究之路。

Comtemporary anthropological aesthetics results directly from the “culturological turn” in aesthetics, and the study on anthropological aesthet- ics and anthropology of art by Zheng Yuanzhe who is one of its outstanding representatives. The study is academically oriented by inter-discipline and trans-cultural research and based on the research and conclusion of art origin and folk literature. They have comprehensively and systematically carried out anthropological aesthetic researches and have established a serial research chain comprising of the research of totemic art and art origin, folk literature study, anthropology of art, anthropological reconstruction of aesthetics and experimental writing research, which has shaped a unique way of his anthropological aesthetic study.