论符号学文艺理论的包容性

On the Inclusiveness of the Literary Theory of Semiotics

从审美符号的构成方式、审美符号的形式特征、审美符号的内容来源等三个方面论析了符号学文艺理论的包容性。指出审美符号作为一种有主体精神介入的动态存在,囊括了文学的范畴,促进了对文学本质的全面把握。

The thesis looks into the inclusiveness of the literary theory of semiotics from the aspects of the formation, the characteristics and the sources of aesthetic signs. It concludes that aesthetic signs, as dynamic existence with subjective spirit, include the scope of literature and thus enhance the comprehension of the essence of literature.