格调论视野中的声调:情感运动的方式

The Tone in the View of Ge Diao(格调) Theory: Mode of Emotion Movement

在格调论中,主情与主格调相互统一,直接显现着中华民族生命的存在方式。格调论的兴起是主情思潮直接导致的结果,明人不满宋元理学对诗学的渗透所造成的情与理的分割,要求以自由的审美的节奏韵律为中介,回归汉与盛唐的主情诗学,回归于生命本身固有的和谐。但他们既没有汉唐人的生活情感,在政治专制和理学统治下情感又受到压制,不能直接走兴感的路子,于是以复古为途径,通过将诗的格律声调还原为生命本体论意义上的情感运动形式加以摹拟,以纠正、化育与表现生命,达到情性的复归。

In Ge Diao Theory, the mutual unification of strong emotions and principal styles directly displays the existing mode of the Chinese people＇ s life. The emergence of Ge Diao Theory was the immediate result of the trend of emotion - dominated thought. The People of Ming Dynasty were not satisfied with the separation between emotions and moral order due to the pervasion of poetry by the School of Nature and Order in Song Dynasty and Yuan Dynasty. For this reason, they made an appeal to take free aesthetical rhythm as an agency, so that they could regress to the emotion - filled poetic theory of Han Dynasty and the prosperous Tang Dynasty, and that they could return to the intrinsic harmony of life.