二元模式里的歌谣变迁——西藏歌谣的宗教性分类

The Changes of ballads within Binary Model——The religion based classification of Tibetan ballads

文章从歌谣与宗教的关系入手,依据结构人类学倡导的二元对立原则,将西藏歌谣分为“主/客调适“”神/人一体“”圣/俗合璧”三个时段性类型,认为每一类型的歌谣都是该时段雪域口承文学的创造性成果,区别仅在于歌谣唱诵的文化关注不同而已;文章借此梳理了诗在民间社会发生、发展的轨迹。

The article firstly studies the relation between ballads and religion. On the basis of the binary opposition principle advocated by the structure anthropology, the Tibetan ballads are classified into three types based on time interval, namely, ＂majority and minority＇s adaptation God and human＇s unity holiness and ordinariness＇ combination＇. Each type of ballads is artistic production of the oral literature of the snowland in a specific period of time. The only difference lies in the different cultural concerns of the ballads. The article discusses the origins and development of poetry in folk society.