论1990年代电视剧女性生存的叙事形态

On the Narrative Models of the Female Existence in the 1990s Teleplays

1990年代电视剧女性形象的叙事演变大致经历了四个阶段,呈现为两种相对而生的叙事形态:围困式与突围式。围困式主要表现为“家”与“情感”两种象征意象,突围式则体现为社会突围、情感突围、文化突围三种方式。女性叙事形态变革的背后纠结着复杂的动因:西方女权主义运动及女性主义理论的介入,中国自1980年代末女性问题在现代化进程中的重新提出,电视剧女性从业人员的大量出现。同时,女性形象的特殊叙事结构也充分体现出女性意识表述的困惑与艰难。

The narration of the female existence in the 1990s teleplays has gone through four stages with two models： besiegement and breakthrough. They are either besieged by the ＂family＂ or ＂feelings＂; they try to break through socially, emotionally and culturally. This is the result of the introduction of Western feminism, the late 1990s women problems＇ being re - raised in the process of China＇s modernization and the involvement of more women in teleplays.