解读《子夜》的“客厅文化”

An Analysis on the Living-Room Culture in Ziye

茅盾的《子夜》是20世纪30年代都市文学的巅峰之作,作品通过“客厅文化”这个独特的窗口来剖析中西文化冲突下上海洋场社会各类人物的内在文化心理结构,揭示上海都市文化的特质,而“客厅文化”的本质就是金钱本位化。

Ziye , written by Maodun, is the masterpiece in the city literature in 1930s. This paper analyzes the inner cultural and psychological structure of various people of Shanghai＇s upper- class who were in the collision between the Chinese culture and the west culture through a special window of ＂living- room culture＂, and reveals the characteristics of Shanghai city＇ s culture. The essence of ＂living - room culture＂ is the worship of money.