《秦腔》:纯粹的乡村经验叙事

Qin Opera(Qinqiang): An Absolute Rural Narration Strategy

贾平凹在他的近作《秦腔》中实现了一次乡土叙述个性的转移。作者放弃了一切观念和理性,抽走了知识分子话语系统,用纯粹的地方口语还原乡土日常生活,呈现了父辈乡村形态和古老地方文化“秦腔”在城市化进程中的终结现实;而乡村叙述主体的选择,乡土话语的撒野欢腾、无遮无拦,又跳跃着民间文化形态下的生命个体的情感意志力和生命感受力。

In his newly published novel Qin Opera （Qinqiang）, Jiapingwa the novelist uses an absolute rural narration strategy. Discarding all abstract ideas and rationality and the language of the men of letters, the novelist uses local dialects to narrate the daily life of the countryside in the old times and to reveal the fate of disappearance of the old local culture.