摘要
生态美学是在对“人”的现代性进行反思的背景下出现的,但是它的整体思维模式、生态中心主义的哲学美学原则潜在地放逐了“人”,将人摆放在一个飘忽不定的位置,人始终处于通过实践来自我确认与对生态平衡的体认和保护的二重矛盾的张力之中。然而,生态美学学科的建立,其“人”的确立是至关重要的,生态美学必须具有相应的人文价值立场。
Ecological aesthetics appears under the background of the modem reconsidering of the" Person", but its overall thought pattern, the ecological center principle of philosophy-aesthetics principle latenfly exile the" Person", which has placed the position which drifts from place to place, the"Person"always makes sure in self-confirmation through the practice, lives in the tensity of double contradictory that realizes and protects the ecological equilibrium. However, the establishment of ecological aesthetics discipline, the determination of the" person" is very important. Ecological aesthetics must have the corresponding value standpoint of humanity.
出处
《贵州师范大学学报(社会科学版)》
2006年第4期95-98,共4页
Journal of Guizhou Normal University(Social Sciences)
关键词
生态美学
现代性反思
“人”的放逐
人文价值立场
ecological aesthetics
modem reconsidering of the" Person"
exile of the" Person"
the value standpoint of humanity