成功的改编——浅谈道具“石灰”在话剧《死无葬身之地》中的2次运用

Successful Adaptation——on the twice use of calcareousness in the drama of “to Die with No Space for Burial”

导演在话剧《死无葬身之地》中创造性地加入道具“石灰”。第1次是让演员往墙上抹石灰,将人物心中的无可名状的恐惧和不安传达了出来,并且石灰的颜色“白”和粗糙的质感进一步强化了剧场的视觉效果,烘托了气氛。第2次是让演员就义前在墙上画了一个大“V”,传达出人物心中的喜悦和无悔,象征着一场自我意义上的胜利。他们战胜了内心深处对于“活下去”的恐惧,完成了对自我的超越。同时,用反射能力最强的白字对红光加以区分,进一步强化了剧场的视觉效果。

The director has made a successful adaptation from the original script, andcreatively put in the prop of calcareousness. At the first time it was used, he made the actors smear it on the wall, to convey the unutterable fear and uneasiness in the hearts of the characters. Besides, the whiteness of the calcareousness, together with its coarse quality, further strengthened the visual effect of the stage. The second time, he made the actors draw a big ＇V＇ before being killed, in order to convey the happiness and regretlessness in the characters hearts. That was a symbol of victory in the sense of themselves, in which they beat the fear of ＂living on＂, deep in their hearts, and accomplished the transcendence of themselves. Meanwhile, with the contrast of white characters against red light, it furthermore enhanced the visual effect of the stage.