摘要
抗战初期,延安文艺界的部分文学创作出现了以下三种偏向:第一,以牺牲艺术真实为代价,凭空捏造一些惊险离奇的情节,借以吸引读者。第二,试图把文学创作的主题囿于某种思想、某一主义的范围之内。第三,过于强调主题的思想性、题材的时代性,相对忽略了作品本身的艺术品格。经过延安文艺界的努力纠正,上述倾向得到不同程度的克服。
At the first period of the Anti-Japanese War, the former Yan'an literature and art circles appeared the following three kinds of deviations: First, in order to attract the readers, sacrificing the reality to fabricate some thrilling strange plots. Second, attempting to constrain the literature subject in some principle scope and some kind of thought. Third, emphasizing the ideological nature of the literature subject and neglecting the artistic moral character. After the Yan'an literature and art circles' endeavoring, the above tendency disappeared.
出处
《淮阴师范学院学报(哲学社会科学版)》
2006年第4期543-547,共5页
Journal of Huaiyin Teachers College(Social Sciences Edition)
关键词
延安文学
偏向
意识形态
艺术性
Yan'an literature
deviation
ideology
artistic quality