摘要
中国古典戏剧大团圆结局的模式大量地出现在宋以后的戏剧之中。作为一种舞台表演艺术,观众的好恶势必影响甚至决定戏剧作品的内容和形式,由于中国传统的观众的精神需求和审美价值取向是大团圆,因此,戏剧作家就会更多地关注大众品位,其作品就会更乐于描写大团圆。只有这样,戏剧才能更好地体现其自身存在的价值,这种艺术结构也是文学样式多样化原则的体现。
Chinese classical drama is a kind of theatricals. This visual communicating way makes the dramatists pay more attention to the public taste. Only when conforming to the public taste, can the drama be approved. The happy ending is the spirit being demanded by the public, so the dramatists are willing to describe that. This is the existence value of the drama, and it is also the reflection of the literary diversification.
出处
《河南大学学报（社会科学版）》
北大核心
2006年第4期127-130,共4页
Journal of Henan University(Social Sciences）
关键词
古典戏剧
审美价值
大众品位
大团圆结局
classical drama
aesthetic standards
public taste
happy ending
