摘要
随着国内外学者对隐喻研究的日益深入,隐喻不再被仅仅理解为语言的修辞手段,在更普遍的意义上,它作为一种思维方式、概念体系得到了诸多的认同。尤其是在作为修辞语言运作方式典型体现的诗歌语言中,象征、比兴等隐喻手法的运用则更为普遍。《诗三百》是中国诗歌的滥觞,而其中《蒹葭》篇又被誉为“千古伤心之祖”,诗篇中的意象暗示与意境生成极富隐喻内涵,通过对这种隐喻语境的解析,可观其无限丰富的“象外之旨”。
As the scholars researches into metaphor are deeper and deeper ,metaphor is not only viewed as rhetorical means of language. Qua a kind of thinking mode and concept system, it receives a good many identification. In the poem language, as a kind of representative embodiment of use mode of rhetorical language, metaphor technique such as symbol and comparison is widely used. Book of Songs is origin of Chinese poem. The Bulrush is praised as "sentimental ancestor of thousands of years". There are abundant metaphor in its imago implication and artistic conception creation, from which the ample subaudition can be found.
出处
《兰州学刊》
2006年第8期64-65,151,共3页