摘要
西方人用飞禽羽毛的根管尖醮水写字,而东方人用其另一头细毛醮水写字,形成两种不同的文化、不同的艺术。如果说西方的钢笔字造就了西方的钢笔画,那么中国的毛笔字造就了中国的白描、界画。该文从中国的线描艺术入手追溯中国传统线描的产生、发展,目的是借古谈今,要改变目前传统的西洋钢笔绘画的教学模式,探讨以单线白描的快捷形式去创作设计草图,以迎合当今电脑时代的高节奏、高效率。
The occidental writes with one head of fowl's feather, the needle of its tube, and the oriental with the other head, fuzz. It shaped two different kinds of culture and art. If the saying that western's fountain pen word has brought up its pen painting is right, Chinese line drawing, boundary drawing come from brush word is also right. Starting with the Chinese art of line painting this article traces back into the production and evolution of the Chinese traditional art of line drawing, intends to talk about today with yesterday and to change present teaching mode which is western conventional pen painting. Try to use design sketch with shortcut form of mongllne drawing to satisfy teday's fast rhythm, high efficiency.
出处
《华中建筑》
2005年第2期150-153,共4页
Huazhong Architecture
关键词
线描
白描和界画
溯源
钢笔画
Line painting ,Line drawing and boundary drawing,Trace back to the source, Penpainting