全球化与地方主义冲突中的城市入口空间形态——由保罗·安德鲁在中国的两个作品说开去

Space Form of Urban Entrance in the Conflicts between the Globalization and the Localism

法国建筑师安德鲁的上海浦东新国际机场和北京中国国家大剧院两项设计本不相干,然而在全球化与地方主义冲突的境遇中,它们却共同引发人们对当代城市入口的新意义与新形态的思考。一方面,由互联网加强的全球化语境中,阅读城市成为人们越来越普遍的城市行为模式;另一方面,城市入口空间作为该地区地方主义历史文脉的延续必须得到加强。城市入口空间形态正是在全球化与地方主义冲突中,找到自我表达的立足之地。

French architect P.Andrew have two architectural works in chian： New Pudong International Airport in Shanhai, and controversial National Grand Theatre in Beijing. An airport is a quite different architecture form a theatre. However, they will converge in the conflicts between globalization and Iocalism, so they will share the same theme： the new significance and new form of the contemporary urban entrance. On the one hand, By the help of internet, reading city became much ore popular than ever before. On the other hand, the urban entrance space as the continuation of the Iocal historical veins of the region proper will be enhanced. Only in this way can the urban entrance space form its own foothold to express itself in the conflicts between the globalization and the localism.