摘要
南阳汉画像砖鱼纹饰,渊源于纯朴自然的仰韶文化彩陶纹饰并摆脱其稚拙的形象特征,挣脱了沉重威严的青铜纹饰风格的羁绊并吸取其强健有力的用线手法,发展成富有蓬勃进取精神的汉代艺术风格。它所体现出的艺术精神与表现形式形成了中华民族传统艺术的主要内容。
The fish patterns on the figure bricks of Han dynasty in Nanyang city, originating from Yangshao culture, and assimilating the style of bronze patterns, developed its own artistic styles of Han dynasty. The artistic idea and form embodied by the pattern shaped the main contents of tradition art of China.
出处
《中原文物》
北大核心
2006年第4期53-55,共3页
Cultural Relics of Central China
关键词
南阳
汉画像砖
鱼纹
仰韶文化
Nanyang city
figure bricks of Han dynasty
fish patterns
Yangshao culture