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皎然诗歌诗论中“高”的诗学美学观

Loftiness:the aesthetic standpoint of poetics of Jiao Ran in the Tang dynasty
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摘要 在前人的研究成果的基础上,对皎然的诗歌作了进一步的探讨,从美学的角度分析了皎然诗歌里“高”的诗学观,并对其释道圆融的诗学美学观作初步阐释。 The poet and monk, Jiao Ran, who was endowed by nature with intelligence and constantly pursued the study of poetics, formed aesthetic view of poetics with loftiness as characteristics. This view was not only expressed in his On Poems, but also implemented in his creation of poems. With the image of crane as his ideal symbol and in combination with the aesthetic connotation of loftiness, Jiao Ran's poems showed uniqueness, which won good comments from the scholars of poems from generation to generation.
作者 温新瑞
机构地区 中北大学图书馆
出处 《新余高专学报》 2006年第4期53-55,共3页 Journal of XinYu College
关键词 皎然 释道圆融 诗学美学观 Jiao Ran loftiness crane aesthetic view of poetics
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参考文献1

  • 1陈引驰编校,刘师培.刘师培中古文学论集[M]中国社会科学出版社,1997.

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