摘要
2005爱知世博会的国家馆,采取“全球共同”的概念,由统一的单元体限定。在此条件下,本文主要从建筑与影像两个方面,对国家馆的设计展开分析;文章具体以西班牙馆和克罗地亚馆为例,探讨展馆空间中建筑与影像、现实与虚拟相互之间的对应关系。
National pavilions in 2005 Aichi-EXPO is framed in the concept of "Global Common", which set definite units for all pavilions. On this condition, the variation of the pavilions comes not only from the building itself, but also from the multi-medium forms of exhibition. Following the analysis of Spain pavilion and Croatia pavilion, a new suggestion for the space design of the pavilion is raised, which lead to a kind of superimposition or fusion of building and medium, actual and virtual.
出处
《建筑师》
2006年第4期8-12,共5页
The Architect
关键词
世博会
国家馆
建筑空间
影像空间
EXPO, national pavilions, architectural space,medium space